Daniel pierre - učitelj saksofona - New York
1. lekcija brezplačna
Daniel pierre - učitelj saksofona - New York

On je največji učitelj. Kakovost profila, odličnost diplome, zagotovljen odziv. Daniel pierre bo skrbno organiziral vašo prvo lekcijo Saksofon .

Daniel pierre

On je največji učitelj. Kakovost profila, odličnost diplome, zagotovljen odziv. Daniel pierre bo skrbno organiziral vašo prvo lekcijo Saksofon .

  • Cena 34 €
  • Odgovori 2 h
  • Učenci

    Število učencev, ki jih je Daniel pierre učil od prihoda na Superprof

    16

    Število učencev, ki jih je Daniel pierre učil od prihoda na Superprof

Daniel pierre - učitelj saksofona - New York
  • 5 (Št. ocen: 28)

34 € /h

1. lekcija brezplačna

Kontakt

1. lekcija brezplačna

1. lekcija brezplačna

  • Saksofon
  • Klarinet
  • Flavta
  • Blokflavta

Spletni učitelj saksofona, klarineta, flavte in blokflavte — pouk izključno v angleščini — diplomirani Bachelor of Music z več kot 20 leti izkušenj s poučevanjem in nastopanjem.

  • Saksofon
  • Klarinet
  • Flavta
  • Blokflavta

Lokacije tečajev

Ambasador

Eden izmed najboljših učiteljev. Kakovost profila, odličnost diplome, zagotovljen odziv. Daniel pierre bo skrbno organiziral vašo prvo lekcijo Saksofon .

O Daniel pierre

Sem spletni učitelj, ki poučuje pihala izključno v angleškem jeziku. Izvajam ure saksofona, klarineta, flavte in blokflavte prek Zooma za otroke in odrasle, stare od 5 do 81 let, tudi brez predhodnega glasbenega znanja.

Ure potekajo individualno, v osebnem tempu in so popolnoma prilagojene vsakemu učencu, s poudarkom na potrpežljivosti, pravilni tvorbi tona in uživanju v igranju.
Poučujem s pomočjo znanih in priljubljenih skladb, da lahko učenci igrajo že od začetka in zgradijo trdne glasbene temelje.

Ure so primerne za začetnike in napredne ter omogočajo udobno učenje glasbe od doma prek Zooma, z osebnim vodenjem in individualnim učnim načrtom.
Diplomant Akademije za glasbo v Jeruzalemu, odličen glasbenik med služenjem vojaškega roka, z več kot 20 leti izkušenj s poučevanjem in nastopanjem doma in v tujini.

Spletne ure saksofona, klarineta, flavte in blokflavte so idealne za vse, ki iščejo profesionalnega in izkušenega učitelja, oseben pristop in pravilen napredek.

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O tečaju

  • Začetnik
  • Srednji
  • Napredni
  • +10
  • stopnje :

    Začetnik

    Srednji

    Napredni

    Profesionalni

    Otrok

    1. cikel

    2. cikel

    3. cikel

    4. cikel

    CEM

    DEM

    DE

    CA

  • slovenščina

Vsi jeziki, ki se govorijo za tečaj :

slovenščina

Ura poteka izključno v angleškem jeziku, prek spleta na Zoomu in v skladu s tempom napredovanja učenca. Med urami uporabljamo digitalne datoteke učbenikov, ki jih pošljem učencu prek WhatsAppa, ter deljenje zaslona; po želji lahko učenec naroči tudi tiskano različico učbenika.

Na prvih urah poučujem pravilno držo in tehniko igranja instrumenta. Ko učenec razvije nadzor nad tonom, nadaljujemo z učbenikom, ki ga prejme.

Vse ure potekajo z veliko potrpežljivosti in pozornosti do potreb učenca; moj cilj je pomagati doseči učenčeve osebne glasbene cilje.

Po vsaki uri pošljem pisne domače naloge prek WhatsAppa, ki jih učenec pripravi za naslednje srečanje.
Pomagam tudi pri najemu ali nakupu ustreznega instrumenta ter svetujem glede potrebne opreme in dodatkov.

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Cene

Cena

  • 34 €

Paketne cene

  • 5 ur: 172 €
  • 10 ur: 344 €

spletna kamera

  • 34 € / h

ponujen tečaj

Ta prva lekcija, ponujena z Daniel pierre, vam bo omogočila, da se spoznate in jasno določite svoje potrebe za naslednje lekcije.

  • 1h

Video Daniel pierre

Več o Daniel pierre

Več o Daniel pierre

  • When did you first develop a passion for music and your instrument?

    I grew up in a family of musicians. Even while I was still in my mother’s womb, I was listening to Mozart, Beethoven, many other classical composers, and jazz music at home and at concerts where my father performed.
    My father was a professional oboist in the Israeli National Chamber Orchestra, but he was also a saxophonist. While studying for his bachelor’s and master’s degrees at Juilliard in New York, my father's dream was to become a jazz saxophonist.
    I heard my dad play the saxophone a lot at home and during holiday events he produced for the community at our kibbutz in Israel. At the age of 13, after giving up on the cello, I asked him to teach me the saxophone. He let me play his vintage alto saxophone, which I still play and teach with to this day. That’s how my first passion for the saxophone began.
  • Is there a particular type of music or artist that you listen to on a loop without it driving you crazy?

    When I’m mopping the floor, washing dishes, cooking, or just relaxing with my girlfriend in the evening, I can listen for hours to saxophone solos by John Coltrane, Cannonball Adderley, and Gerry Mulligan.
    I imagine their solos as casual conversations they’re having with their friends—and with me. I invent dialogues and monologues in my head that take place within the solo. It keeps me engaged, develops my imagination, relieves boredom, and makes me feel like they’re speaking directly to me.
  • Explain to us the most difficult or riveting course you could personally give to a student of music.

    Preparing a classical piece for a saxophone audition—such as Alexander Glazunov: Concerto in E-flat Major, Op. 109 for Alto Saxophone and Orchestra—can be one of the most difficult, fascinating, and challenging courses I could offer a student.
    If the student is truly preparing to perform the piece as a soloist with an orchestra, the challenge becomes even greater. Preparing students for solo concerts on flute, clarinet, or recorder can be just as demanding and rewarding.
  • What do you think is the most complicated instrument to master and why?

    Each of the instruments I teach is complex to fully master when you aim for a high professional level.
    On the saxophone, the main difficulty is playing softly, especially in the low register.
    On the clarinet, the challenge lies in the throat tones and the transitions between octaves.
    On the flute, it is difficult to play with the same intensity and control across all registers.
    On the recorder, the main challenge is breath control, since it is extremely sensitive to changes in airflow.

    If I had to choose one instrument that is the most difficult to fully master at a high performance level, it would be the clarinet, because the transitions between the first and second octaves are particularly demanding and require a very high level of technical skill.
  • What are your keys to success?

    My keys to success are, first and foremost, humility—understanding that you don’t know everything and that there is always something to learn from others—along with hard work, perseverance, and a constant striving for excellence.
  • Name three musicians you dream of meeting in your favourite bar in the early hours of the morning. Explain why.

    I’m not really the type who goes to bars in the early hours of the morning, and I’m quite cautious around drunk people, especially in the city rather than in my kibbutz community, where I know everyone.
    But if I had to choose musicians I’d dream of meeting in a bar late at night, they would be female singers I deeply admire, such as Blondie (Deborah Ann Harry), Anni-Frid Lyngstad from ABBA, and James the Seventh who sings Trauma Olympics.
  • Provide a valuable anecdote related to music or your days at music school.

    I didn’t originally plan to pursue a bachelor’s degree in music, but my saxophone professor suggested that I join the Jerusalem Saxophone Quartet—an internationally recognized ensemble—while I was serving in a special talent role in the army.
    The condition for joining the quartet was to be a student at the Jerusalem Academy of Music. That’s how I began my studies there. For two years, I played in the academy’s flagship ensemble. The academy funded our flights worldwide, and we represented it in prestigious concerts for government institutions and international audiences. Other students admired us greatly.
  • What are the little touches that make you a Superprof in music?

    I am a musician with over 30 years of experience on saxophone, flute, clarinet, and recorder. I come from a long and rich family tradition of musicians. Studying with me means learning from a true expert—someone with great patience and genuine love for his students and for the wind instruments he teaches.
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